‘Ingrained in My Psyche’: Why Gremlins 2: The New Batch Is My Go-To Movie

“Well, conditions are quite harsh here. The guidance we offer all of our clients to invest all their resources into canned food and shotguns.” This nugget of sage advice comes from the Brain Gremlin – a lab-engineered, speaking, bespectacled member of the oozy monster mob that swarms Manhattan’s super-smart Clamp Tower skyscraper in filmmaker Joe Dante’s unhinged continuation Gremlins 2: The New Batch. At first glance, it’s nothing more than an financial suggestion from one monster to another. But, in a strange manner, it’s also pretty solid life advice. Honestly, listen to my reasoning.

When life takes a turn for the worse, the biggest mistake you can do is take things too seriously. The Brain Gremlin understands this. Actually, the majority of the toothy monsters that populate Dante’s unrestrained 1990 movie (arguably his best) possess the same wry, meta sense of humour regarding the blurry line separating everyday life and absolute bedlam. It’s one element of Gremlins 2: The New Batch that keeps me coming back – and as I age, it’s the message that resonates the most.

A Childhood Fixation

Naturally, my fondness for this movie didn’t start on such an introspective level. Growing up, we only had a few battered VHS tapes at home. Part of that group were Gremlins and its follow-up, the latter housed in a bulky previously-rented case almost certainly acquired from an independent video outlet and sporting grimacing beasts on its worn-out artwork. I was right away smitten and these films quickly proceeded lodging themselves inside my tiny, impressionable mind. After that point, they became an almost-daily part of my childhood viewing routine.

Dante’s original typically gets all the plaudits, thanks largely to its reputation as a moderately spooky festive favorite – and let me be clear, I’ve watched Gremlins an incalculable number of times. Nevertheless, its sequel rarely gets the same level of lofty appreciation, which feels criminal. As a kid, I’d always seize the chance to watch Gremlins 2. During bright summer vacations, I’d seclude myself indoors and play it. When I acquired my personal TV-VHS combo unit, it continued playing looped in my bedroom. With repetition, it ingrained itself in my psyche. If my parents observed this fixation, they gave no indication of concern.

Subtler Delights and Societal Nuggets

As I got older, new insights rewarded frequent screenings, heightening the enjoyment of watching small emerald creatures joyously wreck a New York high-rise. I learned the future-focused development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was inspired directly by the later-to-be-president Donald Trump, with his red-headed employee Marla (Haviland Morris) alluding to his one-time partner Marla Maples. Fortunately, Clamp has more heart than his real-life counterpart.

The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was based on a real-life “Doomsday” video produced by the CNN boss Ted Turner in case the world truly faced apocalypse. I noticed how Dante took extra pains to film alternate cuts of a self-referential segment where Gremlins seize control of the very film you’re watching. A version for theaters, a separate one for tape and broadcast, each providing a grinning portion of meta pop-culture magic ahead of its time.

A Lasting Influence

While it was effects expert Rick Baker’s fantastically vile creatures that drew my gaze as a child, this deeper gold kept me hooked as an adult. Ultimately, I even conversed with Dante about it myself and he had no hesitation telling me he made the movie with the direct intention of poking fun at those who loved its goofy-but-heartfelt predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he happily revealed. This anarchic rebelliousness and determination to not take his sequel as seriously as his Warner Bros bosses evidently expected, only increased my affection for it.

When I endured a abrupt familial death recently, I was astonished to realize that, during my heightest mourning, all I desired to do was sit and watch Gremlins 2: The New Batch. Odd, no? Maybe not. The nostalgic calm it offered was needed to weaken my mind’s mourning mire – but the insights it had bestowed upon me as an adult were equally valuable.

Like Gremlins running amok in a genetics laboratory, there’s certain elements in life you just are powerless over. Dante knows it. The Brain Gremlin shares this wisdom. Sometimes, you have to be like them: accept the turmoil, put everything you’ve got into canned food and shotguns and try not to view the world with undue solemnity.

It’s robust worldly wisdom from a most improbable origin – and it’s why Gremlins 2: The New Batch will always be my feelgood film.

Amanda Santana
Amanda Santana

Lena Visser is a Dutch new media artist specializing in interactive installations that blend wave patterns with audiovisual technology.